Veronica Voss (1982)


By the age of 34, German director Rainer Werner Fassbinder had already directed 22 feature films. In 1978, he embarked upon a project to trace the history of postwar Germany in a series of films told through the eyes of three remarkable women. Fassbinder’s The Marriage of Maria Braun, Lola and Veronika Voss—the BRD (Bundesrepublik Deutschland) Trilogy—would garner him the international acclaim he had always yearned for and place him foremost in the canon of new German cinema. These three films influenced my design vision and craft for nearly a decade.

Once-beloved Third Reich–era starlet Veronika Voss lives in obscurity in postwar Munich. Struggling for survival and haunted by past glories, the forgotten star encounters sportswriter Robert Krohn in a rain-swept park and intrigues him with her mysterious beauty. As their unlikely relationship develops, Krohn comes to discover the dark secrets behind the faded actress’s demise. Based on the true story of a World War II UFA star, Veronika Voss is wicked satire disguised as 1950s melodrama.

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